The Mauritshuis Museum in The Hague chose a 9.5cm wide polished black and brown cassetta frame with an archtop spandrel for a church interior painting by Houckgeest.
A 12cm wide polished black and brown flat forward scotia frame was chosen by the Mauritshuis Museum in The Hague for their self portrait by Moreelse.
An 11.5cm wide polished dark brown cabinet frame with a gilded sight edge was chosen by Johnny van Haeften for a van Leen painting of flowers on behalf of his client.
The Bredius Museum in The Hague chose an 8cm wide polished brown cabinet frame for a painting of dancers by van Steen.
The Bredius Museum in The Hague chose an 8cm wide polished brown cabinet frame for a landscape by van der Velde.
The Bredius Museum in The Hague chose an 8cm wide polished brown cabinet frame for a painting of ice skaters by Vrancx.
A 7cm wide polished dark brown Ast style frame was chosen by the Bredius Museum in The Hague for a painting of a mother and child by van Roestraten.
A 7cm wide polished dark brown Ast style frame was chosen by the Bredius Museum in The Hague for a painting of fruit by de Ville.
A 9cm wide polished brown flat forward scotia with a gilded sight edge was chosen by the Bredius Museum in The Hague for a painting of a lady with pearls by Elinge.
The Bredius Museum in The Hague chose an 8cm wide polished brown flat forward scotia frame with a carved and gilded sight edge for a painting of a lady with a pitcher by de Moni.
An 11.5cm wide Louis XIV frame with a 2.5cm slip was chosen for a garden painting by Sisley owned by the Davis Museum at Wellesley College in Massachussetts.
The Davis Museum at Wellesley College in Massachussetts chose an 11.5cm wide polished black cabinet frame with a gilded ripple sight edge for a shipping painting by van de Velde.
A 7cm wide carved and gilded Barbizon style frame with a 3cm wide gold slip was chosen by the Davis Museum at Wellesley College in Massachussetts for their painting of potato gatherers by Millet.
The Davis Museum at Wellesley College in Massachussetts chose an 18.5cm wide carved and gilded reverse profile frame with a leaf design for a Matteis painting of female saints.
A 9cm wide black painted carlo frame with gilded sight edge, back edge and rope detail was chosen for a male portrait by Palma belonging to the Davis Museum at Wellesley College in Massachussetts.
The National Portrait Gallery chose a 6.5cm wide copy of their own gilded Carlo style frame for a portrait of Wellington by Salter. The gallery had very detailed specifications as to how the frame must be constructed in order to house the protected work whilst having a chamfered back to ensure the frame did not appear too bulky.
