A 5.5cm wide gilded English Hollow frame was chosen by Martyn Gregory of Bury Street, St. James’s for a portrait of Mr. Wood by Chinnery. It was a pair to a similar portrait of Mrs. Wood by the same artist.
A 5.5cm wide gilded English Hollow frame was chosen by Martyn Gregory of Bury Street, St. James’s for a portrait of Mrs. Wood by Chinnery. It was a pair to a similar portrait of Mr. Wood by the same artist.
A 7cm wide Neoclassic style frame with ribbon detail and an antiqued gold finish was chosen by Martyn Gregory for a male portrait by Chinnery.
The Mauritshuis Museum in The Hague chose a 9.5cm wide polished black and brown cassetta frame with an archtop spandrel for a church interior painting by Houckgeest.
A 12cm wide polished black and brown flat forward scotia frame was chosen by the Mauritshuis Museum in The Hague for their self portrait by Moreelse.
An 11.5cm wide polished dark brown cabinet frame with a gilded sight edge was chosen by Johnny van Haeften for a van Leen painting of flowers on behalf of his client.
The Bredius Museum in The Hague chose an 8cm wide polished brown cabinet frame for a painting of dancers by van Steen.
The Bredius Museum in The Hague chose an 8cm wide polished brown cabinet frame for a landscape by van der Velde.
The Bredius Museum in The Hague chose an 8cm wide polished brown cabinet frame for a painting of ice skaters by Vrancx.
A 7cm wide polished dark brown Ast style frame was chosen by the Bredius Museum in The Hague for a painting of a mother and child by van Roestraten.
A 7cm wide polished dark brown Ast style frame was chosen by the Bredius Museum in The Hague for a painting of fruit by de Ville.
A 9cm wide polished brown flat forward scotia with a gilded sight edge was chosen by the Bredius Museum in The Hague for a painting of a lady with pearls by Elinge.
The Bredius Museum in The Hague chose an 8cm wide polished brown flat forward scotia frame with a carved and gilded sight edge for a painting of a lady with a pitcher by de Moni.
An 11.5cm wide Louis XIV frame with a 2.5cm slip was chosen for a garden painting by Sisley owned by the Davis Museum at Wellesley College in Massachussetts.
The Davis Museum at Wellesley College in Massachussetts chose an 11.5cm wide polished black cabinet frame with a gilded ripple sight edge for a shipping painting by van de Velde.
A 7cm wide carved and gilded Barbizon style frame with a 3cm wide gold slip was chosen by the Davis Museum at Wellesley College in Massachussetts for their painting of potato gatherers by Millet.